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Joined 2 years ago
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Cake day: February 15th, 2024

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  • So I looked this up. It’s the viewing/sitting/fidgeting area for an interactive art installation at the San Francisco airport called the Butterfly Wall. As a kids area, yeah it’s still a bit sterile and eye-rollingly “sophisticated,” but they left out the actual attraction, a tank-like thing with very satisfying-looking hand cranks that raise little goassamer-winged mechanical butterflies that than then descend like fancy versions of the parachute men you’d get from the dentist because he won’t keep candy. I’ve seen tonally similar things at a dozen different parks, museums, and botanical gardens, and this one is actually kinda nice in that being indoors it can be a little more delicate.

    pics

    As others have said, most kids areas I’ve seen are much less ST:TNG-coded, and even SFO has others that are “better.” My kid is through the “every random play area must be experienced” phase, but she’s traveled a lot, and we’ve seen tons of aviation themed mini-playgrounds and open spaces with primary-colored benches along the walls.

    Pet peeve time: this kind of cherry-picked observation is weaponized laziness, the social media equivalent of stand-ups thinking it’s clever to muse, “why isn’t the whole plane made of the black box stuff?!”




  • A couple of years ago, I was applying for a work visa, and they needed my college transcripts. Despite matriculating in 19somethingsomethingoldold, my class was one of the first to use an online system that was able to be migrated into multiple subsequent generations of registrar systems, so they needed to have my school email ID, which I hadn’t thought about eleventymilliongetoffmylawn years, so THAT meant placing a call to campus IT, and providing enough personal information for them to look it up.

    And that, my online friends, is when you are forced to viscerally confront that you were a deeply cringe knowitall who spent way too much time thinking your personality flaws were edgy superpowers and that knowing the name of a random reference in a Bertrand Russell book you barely understood proved how smart you were.







  • I will wax a little poetic, then. ;-)

    Nashville has had a machine since at least the late 60s for harvesting songs basically provided for free by writers desperate for a break, and routing them them through overproduced studios full of controllable singers even more desperate than the songwriters. Now, to be fair, the occasional gem slips through, more when the model was less refined, and then there’s folks like Dolly Parton who infiltrated it like a virus and then took it over to explode with decent music.

    Still, other than what Steve Earle called “The Great Credibility Scare of the 80s” when he, Dwight Yoakam, Lyle Lovett, KD Lang, and Melissa Etheridge (among others) were allowed to bubble to the top of the scene, there’s always been a grifter business mindset that’s somehow worse in country because, as a direct outgrowth and expansion of certain varieties of folk music, audiences ask for authenticity when all they really want is cultural validation (hint: for country-adjacent music, authenticity usually looks a lot like it does in other genres). Bubblegum country therefore somehow feels dirtier than bubblegum pop, and it gets even worse as product categories ossify and Nashville country gets targeted to a more and more specific segment of the public.

    I’m fully aware that even the stuff I like, the “Rockabilly [and] other various fusion efforts” broadly called “Americana,” is subject to its own tropes and business pressures, but being smaller and targeting a different niche, there’s at least room in the conversation for artistry and risk, and thankfully good music isn’t as hard to get made as some other forms of entertainment, so there’s a lot of it out there waiting to be found.

    Also, nothing wrong with some nasal vocals in the right context, LOL. I do grow weary of “High and Lonesome” bluegrass vocals after about two songs, though.






  • Sounds like this was a pretty fucked up situation, but one wonders why the white cops (can’t say for sure, but the police wrists on the bodycam look very pale) would really have no trouble believing that a white kid out late at night had been tormenting a brown one.

    I bet it has way less to do with being “woke” than it does with their actual experience on the job. They also called the ambulance right away, but they did fuck up quite badly by not believing him when he said he’d been stabbed.

    To be clear, the Sikh kid needs to go to prison, the police need to be investigated and those officers disciplined, and I grieve for the victim and his family, but people who think that an 81%-majority ethnicity is enduring some epidemic of oppression, because previous white shitheads lulled some lazy cops into complacency, they have some other agenda. I wonder what JD Vance’s is?